Terminaban los ´80 y de un film de Jarmusch, Tom Waits y Roberto Benigni salían amigos. En una entrevista que uno le hace al otro, la voz más áspera que rozó un piano dice:

"My theory about songs is that most of them don't like to be recorded, they like to be wild. And I think very human moments in film sometimes don't like to be captured by the camera. The camera is like a butterfly net. You have to capture the butterfly without hurting it."

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